Obiora Obiwon's Rebirth

On Saturday the 26th of September 2009, the attention of the music industry turns to urban contemporary vocalist Obiora Obiwon as he releases long awaited sophomore LP “The Rebirth” in a live concert. For several months smash first single off the album, Obi Mu O has steadily increased the anticipation being a major favorite on the radio and on the streets.


The Rebirth Album Launch Concert assembles celebrities, friends and fans at the Genesis Deluxe Cinemas same day of release in two different sessions of approximately 90 minutes each. The V.I.P Concert starts with red carpet reception at 3pm to kick off 4pm while the Regular Concert is billed for 6pm.


Insiders note that the concert which aims at creating new levels of excellence in musical performance within the country will also incorporate the artiste's signature dance and choreographed routines.


The show will feature multiple award winning artiste Obiora Obiwon perform numbers from the new album and special guest appearances from artistes Bracket, J Martins, M.I, Illbliss aka Dat Ibo Boy, Rooftop MCs, Segun Obe, Jahdiel, Kani, Guchi Young, Yaw, Ali Baba and a host of others.


“I truly believe this was well worth the long wait...We felt like, what other way to get the album rolling than some good entertaining live performance...” Obiwon explains as preparations for "The Rebirth"’s take off tighten at his independent label home Jdimusic.




Tha Suspect's shooting

On Saturday the 13th of September, Tha Suspect shot videos for two of his singles "Ololufe" and "Mugu" featuring Ice Prince, Enigma, and Slick.

The video was shot and directed by none other than ace music video director/ label boss Clarence A Peters at Capital Hill studios, Omole.
Get more behind and on scene pictures.

Str8 Buttah Throwdown at Club-Rockaway

It was live on the Saturday night of August 29, at HNIC Dr Gee's monthly Club-Rockaway most recent Soundcity Music Video Awards(SMVA), for best Hip-Hop video and also held a listening party for their debut album "Straight 4rm Da Art" at the Capital City Hotel in Ikeja.
Joining the hardcore rap group to set the roof on fire, were names from the underground and mainstream of the Nigerian Hip-hop community. Some of the names were ModeNine, IllBliss, The Kalifate, Ex-O, Terry Tha Rapman, B-Elect, Teeto, Tha Suspect, Eva, Mic Worx, GQ, Protek, etcetera etcetera.groove.
The most recently awarded rap crew Str8 Buttah celebrated their trophy from the


Get More Pix here

EDiToR's InTro


Thought we told you we were goin’ to be in your face for a long time to come, now act like you know already. It’s our second edition, through the thicks and the thins we’re bringing it, we want to say thanks to all who wrote us via e-mails and text messages, and those who called the lines, we appreciate the love. And incase you’ve not gotten it yet get it now, our business really is what is relevant in the urban music scene especially in Nigeria. So even if we hear about it, don’t expect us to give you reports on who did-you know what- with who, or which actress just copped an SUV, or which club owner just bought a new generator or VIP furniture. ‘We no get that that time’, but our pledge is that ‘on-point’ four eleven on what’s real in the music and a bit of that lifestyle charm, so that you can be entertained and enlightened, comprehende? Nuff said now, you have a good read. One.

Ugo Mordi

FYI



Music Industry In State Of Emergency

At a crowded World Press Conference in Lagos on Wednesday,15th of July 2009, an unmatched coalition of leading organizations in the Nigerian musicindustry gathered in a forum meant to address the various problems facing the industry, especially piracy.

In the text read by Nigeria’s Queen of Soul, OnyekaOnwenu, the coalition amongst their requests, called on PresidentYar’Adua to immediately declare a State of Emergency with respect tothe fight against the scourge of piracy. And the Inspector General of Police should be directed to serve a warning to the traders atAlaba Market that if within a specified period the traders do notclean up the market, the government will shut Alaba market down.According to them, Alaba market has earned the notoriety of being theworld’s biggest hotbed of piracy.
Also they requested that the president look into the activities of the NCC, and set up a governing board of proven commitment and integrity to supervise the NCC as talks of royalties, proper collective management and other matters were brought to the table.

Chief Tony Okoroji, the president of the Performing &Mechanical Rights Society(PMRS) and executive producer of the Nigerian Music Awards(NMA) also proposed a “12 Hour No Music” Day to know what radio will sound like without music and how listeners, including other private sectors and government institutions will feel without music for that long.

At the press conference which held at the Protea Hotel,Ikeja were representatives of Performing Musicians Employers Associationof Nigeria (PMAN), Nigeria’s only registered trade union in the musicindustry; Nigerian Association of Recording Industries (NARI), theumbrella body of the recording industry in Nigeria; Performing &Mechanical Rights Society (PMRS), Nigeria’s first governmentapproved collective agencyAlso represented at the conference were other key industryassociations such as Gramophone Records & Cassette Dealers (AGRECD),Music Label Owners Association of Nigeria (MULOAN,) Music AdvertisersAssociation of Nigeria (MAAN), Association of Music BusinessProfessionals (AMB.-Pro) and Audio Video CD Sellers Association ofNigeria (AVCDSAN)


Banky W In Home Video

Olubankole Wellington better known as R&B singer Banky W, recently came home from South Africa after shooting the video for one of his two newest releases 'Strong Ting'. The video was shot and directed by Josh, the same South African whitey responsible for the pictures of the award winning song 'Don't break my heart'. Word is Mr. W, winner best male vocalist at the last Hip-Hop world awards plans to do a vid for his other recent offering 'Lagos Party' pretty soon, hopefully with a Lagos based video director and also to drop his sophomore cd titled the 'The W Experience' before the end of the year.

Mixtape Terry



Terry's joint 'Sample' and it's video featuring Pherowshuz and Stereoman isn't a kept secret but one of the best items to hit the scene and has proven itself buzz-worthy. The defunct SWAT ROOT emcee still isn't backing down on his music grind, he's collaborating with production company Knighthouse to produce a collection called "The Joe Spazm Mixtape". And in accordance to the hip-hop mixtape tradition of having a credible DJ host, the cool DJ Jimmy Jatt is doing the honors. This project features guest appearances from Sauce-Kid, Mo Chedda, Teeto C-mos, Kel, Skales, Fecko, Munachi(yes Munachi Abi) and Ice Prince. This mixtape will not be released commercially, however, fans will be informed when and how to get it when it’s out, as it is supposed usher in his officially second album "Boys Are Not Smiling" to come around before fall.

Kel’s Investment




Since 2007 when she had her break on illbliss’ award winning single “U go wound!”, young female rapper Kel has rocked the music scene with singles “Waa Wa Alright” I&II, “Push”, “Beautiful life” and “Too Fine”. Finally her debut album ‘The Investment’ is set to drop, a 19 track album featuring productions from Mic Worx, TY Mix , Jesse Jags, J Martins, Dr Frabz and Tha Suspect spear heading the entire process. The LP is star studded with guest appearances from MI, Alaye, Illbliss, Darey and more and is to properly hit the streets within this August under the imprint of Capital Hill Records.

Ijeoma :Daisy Bloomed For Fame




A graduate of the Project Fame Academy(West Africa), class of ’08 ready to take on the world. Long before now Ijeoma Daisy Okwara did jingles for corporates and lent vocals as back-up to various artistes and bands. After exposure in the Tv show/ competition, she cut a single “Ifunanya” featuring Illbliss which got radio play and good reviews and now she’s got another cooked, a love-lorn song titled “ki ni Mo se” ready for the air waves. The sultry looker currently holds a job with a GSM company, but spends her spare time making music. Word is she is in and out of the lab, concocting melodious pieces with different producers.

Sound City’s Second Music Video Awards





All roads led to the Expo Centre in Victoria Island, Lagos on the 2nd of August for the second edition of the Sound City Music Video Awards. The ceremony welcomed just about every important figure in Nigerian entertainment and guests from other works who were all so eager to get in to the hall after hours of chit chat and drink sipping on the red carpet.Blessing the stage were jolly performances from Dipp, Weird MC, Wande Coal & Mo Hits crew, Jozi from South Africa, 2Face, Wyre from Kenya , MI, Eldee & Banky, MIMS from the US and Seun Kuti. The show’s host was Dare Art-Alade who also picked up an award for best R&B/Pop video (‘Not the Girl’). Other awardees honored were Dipp for best special effects & editing (‘Dangerous’), Bigiano for best cinematography and viewer’s choice (‘Shayo’). TY Bello took the award for best female video with ‘Ekundayo’, Naeto C best male video ‘Kini Big Deal’, Kentro World for best duo or group video, Steel ‘s ‘South African Girl’ got awarded Sound City fresh video. Kel with ‘Waa wa Alright’ got Discovery of the Year, rap group Str8 Buttah got best Hip Hop video with ‘Last Stand’, P-Square with ‘Roll It’ got best choreography. In this beautiful video award ceremony, Don Jazzy was honored with an award for Hit Producer of the Year, even though there was none for video directors. And not to forget 2face who gave an outstanding performance at the event, got awards for best collaboration and video of the year with ‘Enter the Place’.

Roof Top MC’s Drunk After One Song

The rap duo of So Kleva and Soul Snatcha also known as Roof Top MC’s or the rock boys on the building as we like to call ‘em have in the past few months, put out singles and toured university campuses and a few other venues around the country . Most recently, the Christian gospel rhyme sayers got in the booth with Muslim Fuji minstrel, Alhaji Wasiu Alabi Pasuma Wonder to do a remix of their single “One Song”. Now talk about music being above religious barriers. It’s not confirmed that this joint produced by Tha Suspect will be released as a single, but certainly will be in their next album ‘Drunken Masters’ which according to reports will be released early September.

Hit Selectah: JAJ



Only a guy who has observed generation of hits come and go can tell you what it really is. Veteran On Air Personality Jacob Akinyemi – Johnson aka JAJ Da Meccadon tells all: Kids it’s class time.

"You can look at a hit song as a song that is widely accepted, it may be a party banger and may be not, but it has to do with sales. The definition of a hit song really would always be tied to sales however it’s kinda different here in Nigeria, a hit song is not tied to sales for obvious reasons, piracy on one hand, we have songs duplicated and played everywhere, in cars, in bars, at clubs…so in terms of sales it may not be selling as it should but it’s in the hands of a lotta people, the song is practically everywhere, (and liked by a lot of people). That’s one angle to look at it.

But also on another angle, a hit song is one that is qualitative and would stand the test of time and would remain a hit song for a very long time. Despite the fact that it might not be as popular as it was at one point, a song which after 25years, you can still listen and say that was a good song that is really the definition of a hit song.

So acceptance is one aspect, quality is another, and also longevity, these are the 3 basic qualities of a hit song.

Most songs really, become hits after release. It gets airplay on radio, the video gets played, it’s played in the party and clubs and bars, most songs that become like that are songs that you can sing along pretty easily, not songs that are hard or too complicated.

However there are songs that become hits even before release, for instance if a very popular artiste plays a song at all the gigs, such a song could become a hit song before it really drops into the market. A typical example will be Fela Anikulapo – Kuti who had a lotta hit songs he played at the shrine, and till he died some of them were never released and there were recordings of those songs in the hands of a lot of Fela fans back in the day.

There are songs in Nigeria that had been popular before airplay got it more popular, however you can’t really predict a hit song. Some of the best songs never turned out to be hit songs, some of the ones that you will least expect to be hit songs will be hit songs. So you can’t really predict, despite the fact that you might have all the elements needed to make a hit song.

Promoting a song is key, Promotion is getting that song played, and getting it played at different places. Been able to push the music is essential, however some songs are just so timely, just so right for the period so even with a little push or in some cases no push at all it becomes a hit song.

Of course there are many songs good enough to be a hit that never become one, there’s also the element of luck, that’s why I talked about it being timely, coming out at the right time. The mood of a nation could also influence a hit song. Like at a time when the economy is rock bottom and everybody is complaining about cash and some smart dude drops a song that could give some kinda comfort when you sing it, he may just have a hit.

You gotta have a good product first, even if you have all the other elements. It’s gotta be banging, and if it’s a ballad then it’s gotta be deep and really musical. You must have a quality song for starters, that is major despite the fact that that’s not enough to make it a hit but at least you would know that you’ve got a good product to start with and then you’ll let all the other elements and factors come to play and make it a hit, if it will become a hit.

Internationally for instance, some songs become hits before they record it. People have done advance booking for the song, to the tune of millions in some cases and such a song would be an immediate hit in terms of sales maybe not acceptance. It has worked wrongly for a lot of record labels, for example 50cent comes up with a great album on the mainstream, it’s so good 11million sold and there were advanced bookings for the second album the follow up of almost 3million copies before it dropped but we all know it wasn’t accepted as much as the first.

Right now I’m feeling Wande Coal songs, he’s a brilliant artiste nice delivery, some MI songs, I’m feeling Banky, and Illbliss too I’m a fan of Illbliss. There is a lotta crap out there that I wouldn’t listen to. As much as we have lotta good songs in circulation, we have more bad songs unfortunately.

Finally if we check the stats, it’ll show that music that turns instant hits do not last as long as the ones that grow on you. They come that fast, and most cases go that fast but the ones that grow on you stand a test of time and have longevity" HL

The Biz

Stumbling into a certain American Pop music artist’s CD, I popped open the case, fixed the disc into the Home Theater and hit play. While the music cranked, I took the CD cover apart and looked closer at the contents of the case (also known as liner notes). Amongst the colorful artwork, photos and track listings were the lyrics for each song and of course, the credits for whoever had a hand in the creation of this CD.

Looking at a lot of music artists and bands here, more often than not, this simple information is not available. Given the type of economized packaging used (i.e. CD Jackets) to put out music on the streets, one cannot expect to see lyrics and a lot of photos. Even still all other information should be made available and even if that artist did most of the work him or herself, credit information clears the air.


There once was a little band from Liverpool called the Beatles where songwriters John and Paul came to an agreement in their partnership to take shared credit in all their works, whether they were written alone or together, or one added more than the other, as Lennon/McCartney. This did work for a length of time with much success and royalties were evenly shared. There came a point where branching off and various other elements started tearing a riff in the duo. Some of these issues are still in discussion today, even though John Lennon has long passed away.

It has been proven time and again to discuss legal issues with your collaborator(s), band or group before the first kobo(or dime) is made on a CD or song sales begin and certainly before the hoped for juicy deal lands on your plate. Though it may be uncomfortable, you must tackle this subject to avoid problems long term. Not only discuss these issues but get it in writing. A letter of agreement signed by all parties involved on percentages on earnings, credits and name order is all you need and should cover every single song produced. Get ALL your issues with credits settled from the get go, covering all your bases.


I also remember an incident, between friends and former band mates 2Face and Blackface. In which Blackface co-wrote the award winning monster hit, African Queen. There was no co-writer credit on the CD for Blackface, then when the accolades, trophies, and money started coming, word on the street was Blackface was the original and only writer of that song, even though he actually co-wrote the song with 2face. Now we’ll never know if Blackface was well compensated, but it sure showed the need to do the right thing at the right time.

Those credits then should be applied online in your music Discography. Credits show upfront, in print, who owns and has rights to which parts of the song and/or music created. The listener will then know up front WHO to contact if they have a project in need of that person’s contribution.

Music Discography – your Album Credits:
Produced by, Arranged by, Recorded by
Recorded at
Mixed by, Mixed at
Distributed by
CD cover concept/artwork by, Photography by
A&R, Publicity, Management…
(Stuff like “females pls use this number” and “omo I don hammer…” in the credit line is exactly why the music business looks more like play than business).

What to include for Song Credits:
Written by
Vocals, Backing Vocals, Vocals recorded by
Published by, Produced by
Mixed by, Programmed by, Engineered by
Additional by, Assistant,
Recorded at
Special thanks to or Courtesy of,
List of instruments played, with who played them…


Finally, Special thanks to/ Appreciation

Things happen in music, just as they do in marriages, other jobs and living life. Credits establish acknowledgement, recognition, and ownership of the work done as wells as give thanks to those that helped get the job done. It’s the professional way to do business.